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A perfect community becomes a nightmare in You’ll Never Leave This Place Alive #1. We review the horror debut and Morgan Beem variant.
This You’ll Never Leave This Place Alive #1 comic review looks at the debut of IDW Dark’s new horror mystery. Collin Kelly and Jackson Lanzing write the series, with artwork by Heather Vaughan.
Phoebe “Phee” Joplin has spent her entire life inside an isolated community. Her parents and their friends created it to escape the dangers of ordinary society.
Phee and four other children grew up believing their home was safe. That belief begins to collapse on the night of their graduation.
This copy features the Cover C Morgan Beem IDW Goes Dark Variant. Beem’s disturbing artwork fits a story built around hidden violence, mistrust, and a supposedly safe place hiding something much darker.
Morgan Beem’s cover immediately creates an uncomfortable mood. Blood, close framing, and soft colors make the image feel personal and threatening at the same time.
That contrast fits the story perfectly. Something familiar and intimate can still hide something dangerous underneath.
The strongest part of You’ll Never Leave This Place Alive #1 is its central idea.
Phee grew up believing isolation meant protection.
Her parents removed their families from ordinary society and built a controlled community. They promised safety, education, stability, and freedom from outside dangers.
Then one of Phee’s friends dies.
The death should not have happened. It forces Phee to question everything around her.
Her home suddenly feels different. The adults seem less trustworthy. Rules that once felt protective begin to look more like restrictions.
Writers Collin Kelly and Jackson Lanzing let that doubt drive the story.
They do not explain every mystery immediately. Instead, they let Phee slowly realize that her entire life may rest on carefully constructed lies.
That makes the horror more effective.
Phee and her friends did not wander into a dangerous place.
They were born there.
For Phee, learning the truth may mean accepting that nearly everything she knows about her childhood was designed to control her.
Heather Vaughan’s artwork gives the book much of its unsettling atmosphere.
The story needs the community to feel normal at first. Otherwise, Phee would never have accepted it as home.
Vaughan makes familiar spaces feel increasingly uncomfortable as Phee begins asking questions.
The horror does not depend on constant monsters or gore. Instead, expressions, rooms, relationships, and small details create tension.
That slower visual approach works well with the mystery.
As Phee becomes suspicious of her surroundings, the reader begins looking at those same surroundings differently.
For this edition, Morgan Beem’s IDW Goes Dark cover pushes the horror even further.
The image does not explain the plot. It creates a feeling.
Blood and intimacy dominate the composition. The soft watercolor-like appearance makes the violence feel even more disturbing.
It works as a strong introduction to the tone of the series.
Phoebe Joplin faces a difficult problem because she has no normal outside life to compare against her own.
The community is not somewhere she moved.
It is the only home she knows.
The adults who built it are also the people who raised her.
That makes Phee’s growing distrust much more complicated.
If the community hides a terrible secret, then Phee must question her parents, her childhood, and the people she trusted most.
Her friendships also matter.
Phee and the other children share an upbringing that outsiders could never fully understand. The death at the center of the first issue threatens that bond.
As the mystery grows, they may also begin questioning one another.
The horror and mystery work together well.
The mystery asks a simple question:
Why does this community really exist?
The horror comes from the possibility that Phee may not like the answer.
The title itself adds to that fear.
You’ll Never Leave This Place Alive suggests that escape may carry a terrible cost.
The series also has a limited three-issue format. That should help the story stay focused instead of stretching the mystery too far.
A short run gives the creative team room to build tension while still moving toward answers quickly.
You’ll Never Leave This Place Alive #1 launches a new IDW Dark horror miniseries.
The first issue also features several alternate covers.
This copy uses the Morgan Beem Cover C IDW Goes Dark Variant.
It is an open-order variant rather than a ratio incentive. Collectors should not assume it is rare simply because it is a variant.
The main attraction is the artwork.
Morgan Beem’s cover fits the horror theme extremely well. It also gives collectors a visually different option from the standard cover.
The first issue format adds another collecting angle. Readers who enjoy horror comics often like trying new series from the beginning.
For collectors of IDW Dark, Morgan Beem, or modern horror comics, this version has a strong visual identity.
You’ll Never Leave This Place Alive #1 starts with a strong horror premise.
Phee has always believed the outside world was dangerous. Her parents taught her that the community kept everyone safe.
The first issue begins tearing that belief apart.
Collin Kelly and Jackson Lanzing build the mystery without revealing everything too quickly. Heather Vaughan gives the story an uneasy visual style that supports the growing distrust.
Morgan Beem’s IDW Goes Dark Variant fits the material especially well.
The cover feels disturbing before the reader even opens the book. That makes it feel like part of the horror experience rather than simply another alternate cover.
Recommended for horror readers, mystery fans, IDW Dark collectors, Morgan Beem collectors, and readers who enjoy stories where a safe place slowly becomes terrifying.
You’ll Never Leave This Place Alive #1 Morgan Beem IDW Goes Dark Variant is available from Razmataz Comics & Hobbies at razmatazcomics.com while supplies last.
Liliana Vess hunts Griselbrand on Innistrad in Magic: The Gathering Untold Stories Liliana #1, featuring an Abigail Larson variant cover.
This Magic: The Gathering Untold Stories Liliana #1 comic review looks at Dark Horse’s new four-part story about Liliana Vess.
Torunn Grønbekk writes the series. Nataliia Rerekina handles the interior artwork, with colors by Lauren Affe.
Liliana gained incredible power through bargains with four demons. Those bargains also cost her pieces of her freedom.
Now she wants them back.
This copy features the Cover C Abigail Larson Variant. Larson presents Liliana surrounded by deep purple tones and flowing magical energy. The artwork immediately captures the dark fantasy style associated with the character.
Dark Horse confirms the creative team, $4.99 price, 32-page length, and four-issue format. PRH Comics
Abigail Larson’s cover leans directly into Liliana’s dark fantasy identity. Purple dominates the image, while spectral energy moves around her throne.
Liliana looks completely in control, but the darker background hints at the dangerous bargains that continue to shape her life.
Liliana Vess possesses enormous power.
That power came with a price.
She bargained her soul to four powerful demons: Kothophed, Razaketh, Belzenlok, and Griselbrand.
Liliana eventually decided that freedom mattered more than the power those bargains gave her. She began hunting the demons tied to her contracts.
This story follows that struggle.
Her search brings her to Innistrad, where she believes she can find Griselbrand. The plane already suffers from corruption, chaos, and violence.
Liliana therefore walks into danger before she even reaches her true target.
The story also gives Dark Horse a chance to explore part of Liliana’s history rather than simply retell events Magic players already know. The publisher specifically presents this as an untold story from her past. PRH Comics
That makes the book accessible in two ways.
Longtime Magic players get another piece of Liliana’s history.
Newer readers get a straightforward dark fantasy story about a necromancer trying to escape the consequences of her own choices.
Nataliia Rerekina handles the interior artwork.
Liliana’s story needs a strong sense of atmosphere. Innistrad is not a bright heroic fantasy setting.
It is a place filled with corruption, monsters, death, and supernatural danger.
That environment suits Liliana.
She works with death rather than running from it. Her magic can make horrific places feel almost natural to her.
The artwork therefore has to balance two ideas. Innistrad must feel threatening, but Liliana must still appear capable of surviving there.
For this edition, Abigail Larson’s cover pushes the gothic atmosphere even further.
Liliana sits almost like dark royalty. Purple magical shapes move throughout the composition.
The image is elegant rather than chaotic.
That suits Liliana because her danger often comes from confidence and control rather than brute force.
Liliana remains one of Magic: The Gathering’s most recognizable Planeswalkers.
Her power has always come with consequences.
The demonic bargains at the center of this story are a perfect example.
Liliana wanted greater power. She got it.
She also discovered that power does not mean much when someone else owns part of your future.
That gives the story a strong personal motivation.
Liliana does not hunt Griselbrand because someone ordered her to do it. She wants control over her own life.
That motivation makes her easy to understand even for readers who do not know every part of Magic lore.
She made terrible deals.
Now she intends to break them.
Innistrad is an excellent setting for this story.
The plane already mixes fantasy with gothic horror.
Vampires, demons, undead creatures, and other supernatural threats are normal parts of its world.
Liliana fits comfortably inside that environment.
Her necromancy does not feel out of place there. In many situations, she may be one of the least frightening things around.
That gives the series room to embrace horror without changing who Liliana is.
It also creates a good contrast.
Liliana arrives looking for one specific demon, but Innistrad contains plenty of other threats that can interfere with her plans.
Magic: The Gathering: Untold Stories – Liliana #1 begins a new four-issue Dark Horse miniseries.
Dark Horse released three regular covers for the first issue.
Nataliia Rerekina created Cover A. Sibylline Meynet created Cover B. Abigail Larson created Cover C. comicsbodega.com
All three carry the same original $4.99 cover price.
That means the Abigail Larson edition is an open-order variant rather than a ratio incentive.
Collectors should not assume scarcity based only on the variant designation.
The appeal comes from several other factors.
It is issue #1. It stars Liliana Vess. It begins a short four-part story. It also features artwork from a named cover artist with a style that fits the character particularly well.
Magic: The Gathering also brings a collector audience beyond traditional comic readers.
That makes the series interesting for both comic collectors and Magic fans who normally focus on cards or game-related merchandise.
Magic: The Gathering: Untold Stories – Liliana #1 starts with a strong character and a simple goal.
Liliana wants her freedom.
Getting it means confronting the demons who hold pieces of her soul.
Torunn Grønbekk uses that premise to explore Liliana’s past while sending her into the gothic horror world of Innistrad.
Nataliia Rerekina supplies the interior artwork, while Abigail Larson gives this edition a strong dark-fantasy cover.
The Abigail Larson Cover C Variant is especially attractive for collectors who already associate Liliana with purple magic, necromancy, and gothic imagery.
Recommended for Magic: The Gathering fans, Liliana Vess collectors, Abigail Larson collectors, dark fantasy readers, and anyone interested in exploring Magic lore through comics.
Magic: The Gathering: Untold Stories – Liliana #1 Abigail Larson Variant is available from Razmataz Comics & Hobbies at razmatazcomics.com while supplies last.
Spider-Man battles Ravage after issue #1000 in Amazing Spider-Man #1001. We look at Joe Kelly’s story and the Mark Bagley variant cover.
This Amazing Spider-Man #1001 comic review looks at the first chapter following Marvel’s landmark 1000th issue of Amazing Spider-Man. Writer Joe Kelly and artist Pepe Larraz immediately move Peter Parker into the aftermath of that milestone as Spider-Man faces Ravage and discovers that Aunt May is caught directly in the middle of the conflict.
This copy features the Cover C Mark Bagley Variant, bringing one of the most recognizable modern Spider-Man artists back to the character for a dynamic battle cover.
Mark Bagley’s variant throws Spider-Man directly into combat with Ravage, using the kind of fluid movement and exaggerated action that has defined much of Bagley’s Spider-Man work.
Spider-Man twists through the foreground while Ravage attacks from above with multiple weapons, creating a fast-moving composition that immediately establishes the physical threat facing Peter after the events of issue #1000.
The Amazing Spider-Man #1001 has the difficult job of following one of the biggest numerical milestones in Marvel history.
Rather than treating the issue as a quiet reset after #1000, writer Joe Kelly immediately pushes Peter Parker into another crisis.
Spider-Man is forced to battle Ravage, the frightening new enemy introduced around the milestone issue, but the conflict becomes considerably more personal when Aunt May is placed in danger.
That creates stakes beyond whether Spider-Man can simply defeat another villain.
Peter’s relationship with Aunt May has always been one of the emotional foundations of Amazing Spider-Man. Any threat to her immediately changes the nature of the fight, especially when Peter is already dealing with the consequences of what happened in issue #1000.
The result is an issue designed to show that reaching #1000 was not an ending. It was the beginning of the next problem.
Pepe Larraz handles the interior artwork, continuing Marvel’s emphasis on large-scale, energetic superhero action.
Spider-Man benefits enormously from an artist who can communicate speed and movement. His fights are rarely simple exchanges of punches; Peter swings, twists, dodges, falls, and improvises while constantly changing position.
A villain like Ravage gives Larraz an opportunity to contrast Spider-Man’s agility with a much more physically intimidating opponent.
For this particular copy, however, Mark Bagley’s variant cover is the major visual attraction.
Bagley has one of the longest and most recognizable histories with Spider-Man of any modern artist. His work on Amazing Spider-Man and Ultimate Spider-Man helped define Peter Parker for generations of readers.
That history makes a Bagley cover on the issue immediately following #1000 especially appropriate.
Peter Parker begins issue #1001 dealing with more than another costumed enemy.
The danger surrounding Aunt May brings Peter back to one of his oldest fears: that the people closest to him will suffer because he is Spider-Man.
That fear has shaped Peter since the beginning of his career.
No matter how experienced Spider-Man becomes or how powerful the opponent, Peter never completely escapes the responsibility he feels toward his family and friends.
Ravage therefore represents more than a physical threat. If Aunt May is caught in the middle, Peter is forced to confront the possibility that his life as Spider-Man has once again placed someone he loves in danger.
That personal connection helps prevent the aftermath of issue #1000 from becoming simply another oversized superhero battle.
The Amazing Spider-Man #1001 is naturally tied to one of the biggest milestones in the title’s history.
Issue #1000 attracted an enormous creative lineup and celebrated more than six decades of Spider-Man stories. Issue #1001 is where the regular narrative has to continue after that celebration. Midtown Comics
The Mark Bagley Variant adds another collectible angle.
Bagley is strongly associated with Spider-Man and remains particularly popular with readers who followed either his Amazing Spider-Man work or his record-setting Ultimate Spider-Man run.
This is an open-order variant rather than a limited incentive cover, so scarcity should not automatically be assumed.
Its appeal instead comes from the combination of a historically significant issue number, a new Spider-Man villain, and artwork from an artist with a major connection to the character.
For collectors who prefer artist-focused variants, the Bagley cover is an especially natural choice for an Amazing Spider-Man issue.
The Amazing Spider-Man #1001 proves that Marvel did not intend issue #1000 to function as a stopping point.
Joe Kelly immediately continues the conflict with Ravage while making the situation more personal by placing Aunt May in danger.
Pepe Larraz provides the interior action, while Mark Bagley’s variant gives longtime Spider-Man readers a cover from one of the artists most closely associated with Peter Parker’s modern history.
For collectors, the Mark Bagley Variant offers a strong combination of character history and milestone significance without requiring the premium attached to a ratio incentive edition.
Recommended for Amazing Spider-Man readers, Peter Parker fans, Mark Bagley collectors, and anyone continuing directly from the landmark issue #1000.
The Amazing Spider-Man #1001 Mark Bagley Variant is available from Razmataz Comics & Hobbies at razmatazcomics.com while supplies last.
John Greycrow defends the X-Men’s Alaskan base in X-Men #39. We look at the DNX tie-in, Netho Diaz’s art and Derrick Chew variant
This X-Men #39 comic review looks at Marvel’s latest chapter in the ongoing X-Men series from writer Jed MacKay and artist Netho Diaz. Tying directly into the DNX storyline, the issue shifts attention away from the larger battle in Philadelphia and back to the X-Men’s home base in Alaska, where John Greycrow suddenly finds himself responsible for defending the Factory.
This copy features the Cover B Derrick Chew Variant, presenting Greycrow and Psylocke in the dramatic, polished style that has made Chew one of the more recognizable modern variant-cover artists.
Derrick Chew’s variant puts the characters directly into the action. Psylocke dominates the upper portion of the composition with her katana while John Greycrow brings heavy firepower below, surrounded by energy, debris, and explosive color.
Chew’s detailed rendering and strong contrast between Psylocke’s purple tones and the fiery background make this a particularly eye-catching X-Men cover.
X-Men #39 takes a different approach from a massive team battle by focusing much of its attention on what happens when most of the X-Men are somewhere else.
While the team is occupied with the crisis in Philadelphia, enemies target the Factory, the X-Men’s base in Alaska.
That leaves John Greycrow facing a situation where backup is not immediately available.
The idea works because Greycrow is a character whose history makes him particularly well suited to a story built around survival and overwhelming odds. Rather than relying on an entire X-Men roster to defend the base, the story turns the Factory itself into the battlefield and gives Greycrow the opportunity to demonstrate exactly why underestimating him is a serious mistake.
As a DNX tie-in, the issue connects to the larger events occurring elsewhere without simply becoming another chapter dominated by the entire crossover cast. Instead, Jed MacKay uses the larger conflict as the reason to isolate Greycrow and put him at the center of the story.
That gives X-Men #39 its own identity while still advancing the broader storyline.
Netho Diaz handles the interior artwork for X-Men #39.
A story focused on defending a single location requires the artist to make that environment feel important. The Factory is not simply a background location—it is the X-Men’s home, and the attack therefore carries consequences beyond another superhero fight.
The action-oriented premise also gives Diaz plenty of opportunities to emphasize Greycrow’s combat abilities and the escalating danger surrounding the base.
For this edition, however, the immediate visual attraction is Derrick Chew’s variant cover.
Chew is known for highly polished character work, and this cover combines that approach with a much more aggressive action composition. Psylocke’s katana and Greycrow’s weaponry give the image two very different forms of combat while the surrounding explosions and energy tie everything together.
Rather than presenting the characters in a simple portrait, the cover feels like a snapshot taken in the middle of a much larger battle.
John Greycrow is the obvious focus of X-Men #39.
Grecyrow has spent much of his history carrying the weight of his past, and modern X-Men stories have increasingly allowed him to exist as something more complicated than the villain he was originally introduced as.
Putting him in charge of defending the Factory gives the character responsibility rather than simply another target.
The situation also tests his relationship with the X-Men. He may not always occupy the most prominent position on the team, but when the people and location associated with the X-Men are threatened, Greycrow does not walk away.
That makes the issue an opportunity to show his value through action rather than simply telling readers that he has changed.
The presence of Psylocke on Derrick Chew’s variant cover also reinforces the connection between characters whose histories have increasingly crossed within Marvel’s mutant books.
X-Men #39 has several qualities that make it interesting to collectors.
It is part of the ongoing DNX storyline, focuses heavily on John Greycrow, and continues Jed MacKay’s X-Men run.
Marvel released the issue with several covers, including the Tony S. Daniel main cover, the Derrick Chew variant, and an ACO incentive variant. Penguin Random House Comics Retail
The Derrick Chew Cover B Variant is an open-order variant rather than a ratio incentive, so it should not be treated as inherently scarce.
Its appeal comes primarily from the artist.
Derrick Chew has developed a large following among modern variant collectors, and his distinctive polished character artwork makes his covers easy to recognize.
The combination of Chew artwork, Psylocke, Greycrow, and the DNX connection gives this issue appeal beyond someone simply collecting every issue of the main X-Men series.
As always with a newly released open-order variant, long-term value will ultimately depend on collector demand rather than the variant label alone.
X-Men #39 uses the larger DNX conflict to tell a more focused story about what happens when the X-Men’s home becomes vulnerable.
Putting John Greycrow at the center of the defense gives the issue a different perspective from a conventional full-team X-Men battle and gives a supporting character an opportunity to carry the story.
Jed MacKay’s setup provides the stakes while Netho Diaz handles the action inside the Factory.
For collectors, the Derrick Chew Variant is an especially attractive version of the issue. Chew’s Psylocke-and-Greycrow composition provides a strong character-focused alternative to the standard cover without requiring the premium associated with the ACO incentive edition.
Recommended for X-Men readers, John Greycrow fans, Psylocke collectors, Derrick Chew collectors, and readers following Marvel’s DNX storyline.
X-Men #39 Derrick Chew Variant is available from Razmataz Comics & Hobbies at razmatazcomics.com while supplies last.
The undead invade New York in TMNT #23. We look at The City That Never Dies storyline and Damien Worm’s IDW Goes Dark variant.
This Teenage Mutant Ninja Turtles #23 comic review looks at the latest chapter of IDW’s The City That Never Dies storyline from writer Gene Luen Yang and artist Fero Pe. New York’s supernatural crisis reaches a new level as the barrier between the living and the dead begins to collapse and the Turtles are forced to fight on multiple fronts.
This copy features the Cover E Damien Worm IDW Goes Dark Variant, transforming Raphael and the TMNT world into a much darker horror-inspired image.
Title: Teenage Mutant Ninja Turtles
Issue: #23
Volume: 1
Publisher: IDW Publishing
Release Date: October 14, 2026
Cover Date: October 2026
Written By: Gene Luen Yang
Art: Fero Pe
Colors: Luis Antonio Delgado
Cover Variant: Cover E IDW Goes Dark Variant
Cover Artist: Damien Worm
Cover Price: $4.99
Pages: 32
UPC: 82771403315102351
Storyline: The City That Never Dies, Part Three
Damien Worm’s cover pushes Teenage Mutant Ninja Turtles directly into horror territory. Raphael charges through a rain-soaked cemetery while distorted figures and ominous architecture surround him.
The dark greens, purples and heavy shadows fit the IDW Goes Dark theme perfectly, giving the familiar TMNT world the atmosphere of a supernatural horror comic rather than a traditional martial-arts adventure.
Teenage Mutant Ninja Turtles #23 continues The City That Never Dies as the supernatural invasion of New York grows increasingly dangerous.
The veil between worlds has collapsed, allowing undead members of the Foot Clan, Purple Dragons and other threats to spill into the city. With the crisis spreading too quickly for the Turtles to handle as a single group, they are forced to divide their efforts.
At the same time, Baxter Stockman forms a dangerous new alliance while Shinigami faces questions about where her loyalty truly lies.
That setup gives writer Gene Luen Yang several conflicts to develop at once. The Turtles are not simply confronting another gang or mutant enemy—the city itself is becoming increasingly hostile as the distinction between the living and the dead begins to disappear. Penguin Random House Comics Retail
The supernatural direction also fits TMNT surprisingly well. The franchise has always mixed martial arts, science fiction, mutants and mysticism, so an undead invasion does not feel out of place.
Fero Pe handles the interior artwork, with Luis Antonio Delgado providing colors. Grand Comics Database
A story involving an undead New York gives the creative team an opportunity to make familiar streets and characters feel less safe than usual.
Rain, darkness, supernatural enemies and the breakdown of normal city life all push the visual tone toward horror while still allowing the Turtles’ action-heavy style to remain at the center of the book.
For this edition, however, Damien Worm’s cover is the immediate attraction.
Worm’s work naturally suits horror imagery, and the IDW Goes Dark theme gives him room to emphasize atmosphere instead of presenting the Turtles in a conventional action pose.
The result looks almost like a horror paperback illustration, with Raphael appearing less like a superhero and more like a lone survivor moving through a nightmare.
Splitting the Turtles apart creates opportunities to emphasize their individual personalities instead of relying entirely on the group dynamic.
The larger supernatural conflict also tests characters outside the four brothers.
Shinigami’s loyalty becomes increasingly important as alliances shift, while Baxter Stockman’s new partnership threatens to make an already chaotic situation worse.
That gives the issue multiple personal conflicts beneath the larger undead invasion.
The Turtles have survived countless threats together, but a crisis that forces them to operate separately changes the equation. Each brother has to deal with danger without immediately relying on the rest of the family.
Teenage Mutant Ninja Turtles #23 has several things that make this particular edition appealing to collectors.
The issue is part of The City That Never Dies storyline, released during IDW’s October horror promotion, and features one of the company’s IDW Goes Dark variant covers.
The Damien Worm Cover E is an open-order variant rather than a ratio incentive, so it should not automatically be treated as scarce. IDW also released other covers for the issue, including variants by Kevin Eastman and Ben Bishop, Marcelo Ventura, J. Gonzo and incentive editions. Penguin Random House Comics Retail
Its appeal comes primarily from the artwork and the IDW Goes Dark theme.
For collectors who like darker TMNT imagery, horror comics or Damien Worm’s work, this version has a distinct visual identity that separates it from the regular covers.
Teenage Mutant Ninja Turtles #23 pushes The City That Never Dies deeper into supernatural horror while keeping the core TMNT combination of action, family and strange New York threats intact.
Gene Luen Yang’s storyline expands the conflict by forcing the Turtles to split up while Baxter Stockman and Shinigami add additional complications.
For collectors, the Damien Worm IDW Goes Dark Variant is especially well matched to the story. Its cemetery setting, rain-soaked atmosphere and horror styling make it one of the more distinctive covers for the issue.
Recommended for TMNT readers, Damien Worm collectors, horror-comic fans and anyone following The City That Never Dies storyline.
Teenage Mutant Ninja Turtles #23 Damien Worm IDW Goes Dark Variant is available from Razmataz Comics & Hobbies at razmatazcomics.com while supplies last.